GRAND BUDAPEST Framing and Screenwriting Tricks in GOD’S NOT DEAD

Posted by Adam Levenberg | Apr 14, 2014 | Uncategorized | 0 |

Adam talks about the quadruple framing device in THE GRAND BUDAPEST HOTEL, discusses the hero’s perspective in terms of SABOTAGE, and reveals the screenwriting tricks that made GOD’S NOT DEAD the top indie hit of 2014.

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About The Author

Adam Levenberg

Adam Levenberg is author of THE STARTER SCREENPLAY and one of Hollywood’s most in demand screenwriting consultants. As a reader for USA Films (BEING JOHN MALKOVICH, TRAFFIC), Adam recommended scripts such as HOLLYWOODLAND and SYLVIA, which were both produced by the studio. After working as a Creative Executive for Intuition Productions (THE STEPFORD WIVES, PASSENGERS), Adam moved on to One Race Films (XXX, THE CHRONICLES OF RIDDICK, THE PACIFIER, FIND ME GUILTY, FAST & FURIOUS) where he became the company’s Development Executive.

GRAND BUDAPEST Framing and Screenwriting Tricks in GOD’S NOT DEAD

About The Author

Adam Levenberg

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GRAND BUDAPEST Framing and Screenwriting Tricks in GOD’S NOT DEAD

About The Author

Adam Levenberg

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