Adam discusses his reaction to OZ: THE GREAT AND POWERFUL and how the internal conflict (or “need”) of the hero mirrors what we find in Sam Raimi’s previous film DRAG ME TO HELL. PLUS, additional DRAG ME TO HELL analysis. Also, do you need more than one script ready to submit to agents and managers?
About The Author
Adam Levenberg is author of THE STARTER SCREENPLAY and one of Hollywood’s most in demand screenwriting consultants. As a reader for USA Films (BEING JOHN MALKOVICH, TRAFFIC), Adam recommended scripts such as HOLLYWOODLAND and SYLVIA, which were both produced by the studio. After working as a Creative Executive for Intuition Productions (THE STEPFORD WIVES, PASSENGERS), Adam moved on to One Race Films (XXX, THE CHRONICLES OF RIDDICK, THE PACIFIER, FIND ME GUILTY, FAST & FURIOUS) where he became the company’s Development Executive.
January 6, 2013
January 23, 2013
March 4, 2013